It Is Time To Wear Festive Coloured Contacts

The holiday season is here. Why not make your Christmas and New Years Eve look more vibrant and sparkling by wearing coloured contact lenses this year?

One can add beauty to the party look with a wide range of varieties possible. With creative ideas, you can bring attractiveness to your attire.

As Christmas preparations are going on, we are surrounded by the colours of joy. Red, white, gold, and silver are the depiction of Christmastide. So, why not add a little sparkle to your look by adding these vibrant colours lenses to take a toll on your eyes?

Here is a list of a bunch of ideas of various designs of contact lenses that will make your X-mas look the best. Have a look for creating a unique and flamboyant party look and become the talk of the town.

Aqua Contact Lenses

To make you look like an angel and bring a lot of texture to your attire, Try this Aqua coloured lens and add an icy-blue appearance in this cold weather. This range of blue contacts will create a frosty look to your party mates. A graceful dress summed up with the tint of blue coloured lens is all that you need to celebrate your Christmas fun and beauty.

Glimmer Lenses

The shimmer is something that adds value to the glittery party at the end of the year. Sparkles here and there lightens up the mood, and it is a must have for some metallic and glittery dress.

A touch of shimmery colours like gold, silver, pink green in your eyes will bring vibrancy to this Christmas cheer. Moreover, wearing a combo of metallic and sequin dress with glimmer contact lenses is like the cherry on the cake.

Red and White Candy Lenses

The red and white candy lenses are a must-have special effect accessory for this joyous festive season. This combination of X-MAS colours itself makes you the centre of attraction. Red and white costume with these matched colour lenses gives you full vibes of this winter eve to enjoy. Use a Christmas costume to make a fantastic combination with these excellent duo coloured candy lenses.

Design Lenses

A new trend of design lenses is what fits best to make you feel a sense of festivity. Different shapes of lenses with varying combinations of colours provide innovation and uniqueness to the wide range of contact lenses. Pentagonal, circular, and many more are on the nice list. The benefit of using these lenses is that one can match the design of the lens with the pattern of the dress.

Black and White Contact Lenses

Have you worn black contacts at a party before? The all-new and fresh, subtle coloured lenses can give you a bold look that you want at the Christmas party. The simple coloured lens with glamorous attire is this little extra you need to make your appearance stand out. A small effort in these lenses is required in order to put the contact lenses with being cautious and put it with a high-quality eye liquid glue.

If you strive to be the trendsetter of the town, then you must try these above-mentioned designs of unique and creative contact lenses. These innovative and beautiful designs of contact lenses can help you achieve the desired look instantly. Go grab your pair of unique contact lenses and become the talk of the town.

How to Start a Craft Shop/Business

Being self-employed and working from home is the fantasy of many folks stuck in the full time nine to five grind. If you have been mulling over the prospect of starting a crafts business, look at these ten recommended steps to follow before beginning your shop, whether online or a physical shop.

Consider Why You Need to Begin a Crafts Business

Perhaps you wish to turn a hobby into a money-making enterprise. Maybe you’re simply fed up with your day job and wish to make the transition from working for somebody else to working on your own. Have you been spending too much time in the office and also feel a home-based craft company will provide you more time with your loved ones? No matter the reason, and you also have more than you, sit down and give this question some serious thought. Talk about it with your family and close friends to see whether this venture will pay off for you.

Get Great Practical Expertise

Launching a crafts business, particularly in the event that your aim is on using it to replace your own day job, is not something which you wake up one day and choose to do. If you’d like your craft company to be a success you will need to have expertise which ranges from basic layout and designs of crafts to finish products. Do some reading on general business knowledge and business planning to have a grasp of what you are in for.

Take Classes if You Want to Boost Your Craft-Making Skills

It is never a bad idea to have a class in your area of artwork or crafts to progress your fundamental abilities. Seeing the teacher and your peers only may reveal you a much better way to establish your own workbench, execute your craft or you might find a referral to some wonderful vendor. In addition, it is an excellent way to network, which is useful when developing your craft business.

Select Your Enterprise Entity

Every decision and essential business action you choose from the startup term of your craft company can vary dependent on the kind of business entity you choose. If you do not have some previous experience working on your own, it is a tricky choice. Fortunately, you only have three options from which to select: sole proprietorship, stream through or company. You also need to decide whether your business will be online or a physical shop. It is often easier to set up an online store, to begin with, due to the lower start-up costs. However, you will still need to have professional looking website design for e-commerce and possibly engage in AdWords marketing to get your shop out there.

Identify Your Client

Before you reach the drawing board you need to think about who your potential clients are. A beginning point is the good old, male or female demographic, as well as age and interests. But female or male is overly broad – you cannot stop there. Simply take this further by considering just which kind of merchandise you would like to handcraft. By identifying your ideal customer and their buyer persona you can develop your marketing plan and construct a targeted and effective brand strategy.

Narrow Your Focus

If you first start your company, do not take on too far and be all over the map with your merchandise line. Focus on what you do well and also with experience and time extend from that point. If you are great at crafting unique earrings then stick to that, in the future you could expand into creating necklaces as well, but there is no point in crafting blankets if you do not excel in that area, focus on your strengths.

Check Out Your Competition

In case you have too much competition, you do not necessarily need to abandon your fantasy – create a market which isn’t yet saturated. On the flip side, if you do not have some competition, this might not be a fantastic thing. It might be there isn’t enough of a market for the craft or art to make it a viable business enterprise. If there is too much competition, you may not be able to compete with long-established players where competition is mostly on price. Attempt to identify a niche market where nobody else sells a product like your own where customers are willing to pay a premium for a unique product.

Find Vendors

You want to locate sellers on wholesale terms so that you may purchase with a reduction and set terms. In addition, you need this info because in the event that you do not understand to what extent your sellers will bill you for the raw materials to get your goods, how do you decide on a fair retail price? This also can help you figure out several items you need to market to realize your own personal or financial objectives.

Establish a Work Space

The excellent thing about most craft companies is they’re ideally suited to function as a home-based small business. If that is your strategy, look around your house and map out where you may store stock, take good care of the company details such as bill paying and create your craft merchandise. Make sure you have a tidy and decent dedicated workspace free from distractions and obstacles. Since your craft shop is going to be your business, treat it like a real business with a proper workspace. If you are intending to lease a store, this cost has to be factored into your price of doing business.

Write a Business Plan

Many small business owners believe they simply must prepare a business plan to get out funding from a financial institution or another creditor. Not correct. A business plan is a road map for success. All craft companies must have one so you can expect issues and produce alternatives. You will need to invest in a business management system which includes accounting and inventory software as well as possible quality management software to record the standard of your products.

Shopping for Art In-Store Versus Online

If you are shopping for art do you prefer to buy in store or online? Has advancement in online trading made shopping for pieces of art cheaper as opposed to the traditional shopping in a store?
Well, that seems to be the principal of shopping in-store vs. online shopping for any product you wish to buy. You must think again if you believe that shopping online is cheaper as big data has helped to challenge conventional stores.

Economist Alberto Cavallo from the Massachusetts Institute of Technology conducted a large-scale study regarding online and offline prices offered by big retailers.

The result of the study might be quite surprising to you; the research revealed that 72% of the prices were identical. Although, the research did not compare regular store prices with online-only retailers like However, it was compared with big retailers especially in Australia that tend to dominate consumer spending, and the result was fascinating. The price of online and offline stores are surprisingly similar to prices online

This is very strange to what most consumers always expect. In my discussion with Cavallo, he made it known to me that there is a general belief that online prices are different from those in the physical stores, although consensus has not been reached on what margin the difference between both prices is.

He also said people tend to form their beliefs base on their perceptions which is also a factor on the retailer or country they buy in. The objective of the research was to get data and prove that prices are usually similar in large multi-channel retailers, which harbors the vast majority of retail sales.

The enormous price check by Cavello research revealed that clothing and electronics had the highest share of identical price both offline and online. Office supplies had the lowest share of identical price although they were sometimes uneven in stores.

The economist professor also compared the online and in-store price of popular Australian stores such as Masters, Woolworths, Coles, and Target and found that about 74% of Australia’s online and store prices were identical. The result was slightly above than that of the United States where 69% of prices were similar but below that of the United Kingdom and Canada both having 91%.

The most fascinating and unique about the result of the research is that Australia was part of the two countries where big online retailers charge higher prices in the cases where there was a difference.

Cavallo said the reason behind this is not known to him but assumes that it may be that due to the expectation of retailers that online shoppers tend to pay more or perhaps they are simply trying to cover up for the delivery cost.

When buying art online it is always riskier as you do not know the actual quality or appearance. A photograph of the artwork may not show the true appearance of the piece and you cannot negotiate prices or extras with the vendor. When buying art in stores, artists and vendors can offer helpful styling tips and information about the art piece. They also often have packing and crating services to safely transport your art home as well as recommended art showcases to display your lovely artwork properly. When shopping for art on an online website, ensure that it is a proper artist or trusted art retailer, by looking at the web page content and seeing whether the artwork is authentic. As discussed above, prices will most likely be quite similar or only differ slightly online or in stores. In determining whether a shopping website is genuine, have a look at the content strategy and products offered, don’t forget to look at customer reviews and forums.

When shopping for artwork, in particular, I personally enjoy browsing online to get a taste of what type of art I want, then visiting actual stores to further research and to purchase. I find that artists and shop assistants have valuable insights into styling your space and how to best display your artwork. This customer service is unique and is an experience you will not get from simply browsing or shopping online. You can also specifically see the artwork in person rather than risk getting an unfavourable surprise when a piece of art arrives at your door and it is not what you expected or it has been damaged in transit. Art retailers have your best interests at the forefront of their business and are often very passionate about their art. I feel like it is rewarding to thank and appreciate the artist by shopping in-store and talking face to face.

Crafting Your Dream Beach Paradise

Consistently day-dreaming of endless summers and living near the shore? Regardless of what or where your place, you can bring that beachfront feeling in your house by decorating it with all the colours and accessories normally found in beach homes along the shore. Bring the outdoors in with fresh beach-style furniture or put in some brightly coloured nautical fixtures. The options are endless once you use the sea and shore as your own inspiration, some interior decorating can bring a drab home to life!

Choose a Coastal Living Theme

Many Individuals look back to their youth and lovingly recall relaxing family excursions to the shore. Then there are many others that are fortunate enough to take in the sun and surf every day, in which the smell and texture of the sea air are just a couple of minutes away. You’re able to draw the appreciation of the sea’s natural calmness and beauty in your home by developing a coastal refuge with these beach home decorating ideas.

Coastal living is relaxed and comfortable, and it provides a no-fuss approach to style. It combines both indoor and outdoor living to accommodate entertaining large groups of individuals or romantic dining room for two. Rooms are spacious, light and fresh, and they use pure colours.

There are many components that go into crafting a house with a beach character. Selecting a coastal living motif is the initial step in initiating your journey. The crucial part is to create your indoor area flow smoothly with the outside. Listed below are a couple of topics to spur your beach décor imagination:

  • Beach Cottage: Cute, comfy and also a small bit bohemian. A beachside cottage could be an eclectic mixture of coastal, classic and understated chic inspired bits such macramé, baskets, hurricane lamps, rope accessories, rugs and shell lamps or ribbons. Think rattan or basket weave furniture and remember the hammock chairs for outside.
  • Contemporary Coastal: This style is characterised by its own natural textures and materials, in addition to its clean lines. It provides a glowing, luminous appearance to insides. This is a superb theme to use whenever you wish to produce a timeless look, sticking with fundamental finishes and easy lines. Pared back art and beach-style furniture produce this theme with no cluttered appearance.
  • Walk on the Beach: It doesn’t matter if you live on a shore or just dream about It sometimes. It is possible to find the sense of being on the shore by improving the natural beauty of your house with sea-themed squares, crisp white backdrops, and splashes of bold colour. You might even use this motif outdoors and include a colourful hammock to unwind in after a hard day’s work.
  • Almost Paradise: Create a tropical oasis with shore décor together with vibrant colours, bold prints and organic decorative pieces such as woven textures, palm tree themes, tropical wildflower rugs and much more.
  • Nautical: It is possible to provide any room in your home a nautical motif. Seaside topics can be daring, classic or chic.

Recognise the Important Characteristics of Coastal Living Interior Design:

The main principles of interior designing account for your personality, mood, and role in almost any shore house decorating or redecorating job. A well-planned and decorated inside and outside not only works nicely, but it really shows your personality. But before beginning clearing out, pruning and painting, have a peek at these vital characteristics of interior design will function together with your planned coastal dwelling undertaking.


When choosing materials for your coastal themed area or home, look at using a raw or tough finish to get a stronger, natural look and texture. Bear in mind, be certain that you abide by the exact same colour palette throughout the whole room. Some common substances used for a coastal living-themed area include raw timbers, cloths, texture weaved backgrounds and glossy tiles.


Beach style furniture generates a relaxed mood and a sense of calm ambiance, especially when utilising plush linen sofas and lounges. A few excellent pieces to think about are couches, armchairs, and ottomans which are oversized to accommodate bigger groups of individuals. If You would like to maintain your contemporary beach house décor motif, look at picking coastal furniture out of no sooner than the mid-20th century. Again, utilising a neutral colour with a dash of something daring will go absolutely in a space with this layout. Another idea would be to utilise handmade furniture made from wood, that is lime-washed, whitewashed or distressed, to add personality to a space. You do not need to devote a good deal of cash on home furniture to accomplish this appearance.

Start incorporating coastal décor now:

The opportunity to go coastal is currently! If you’ve got a space which you want to liven up or revamp to give it ma ore beach-life vibe, set free your inner interior designer and imagine the possibilities!

Crafting the Perfect Office Space

Whether you’ve got a full-time stay-at-home job or you’re cramming in after-hour duties, a dedicated home office is ideal. Everyone can put a desk in a room, but understanding the strategies on how to get the ideal setup can also help you avoid common pitfalls that can side-track your own productivity.

Once you know how to manage the space around you and managing clutter and wires you can work at your very best far more often from a home office. In this post, we will take a look at how to do just that whether it be adding a second storey extension or converting a spare nook into a mini office.

Get the most out of your area

The Problem

You might feel like you hardly have some room for a house office, particularly in the event that you don’t have a dedicated room in your house. Even in case you do, then you are able to sabotage good organisation if you don’t use your area well. You won’t observe the issues right away, but you’ll end up having a cluttered workspace in no time if you don’t plan beforehand.

The Answer

When low in space, do not overlook the nooks and crannies of your property. Many, many individuals have managed to fit an office in their cupboard. Though you might not require such little headquarters, you’re able to learn from people who do.

First, build up on the walls. You can fit a lot of storage there, by hanging documents, planters full of writing implements and shelves. With some forethought, you may use these things as decoration also.

Second, make use of the space below your desk. The majority of us want a couple drawers, which means you should aim for a filing cabinet if your desk does not provide them. Despite the fact that you need to leave space for your legs, you’ll most likely have enough space to fit more than your legs. If you plan out just how much space you need, you can normally fit most of it under your desk without them getting in your own way. At the right height, filing cabinets and drawers may also double as peripheral racks for things such as your scanner or printer.

Finally, do not worry too much. Work out how much storage you’ll need and get a bit more. You must leave room for expansion, but do not plan to develop so much that your filing system becomes a record dump. Do not overestimate just how much furniture you require. You can always add more later if you absolutely need too and if you get really desperate you can always consider a house extension.

Make Your Space Entertaining and Interesting

The Problem

Aesthetics may not appear to matter much when creating a workspace, as many men and women function every day in a beige, uniform cubicle, however, you hurt your productivity if you don’t create a workplace aimed at increasing your creativity, not stopping it. For example, the office of a general plumbing company may put exposed copper fittings on the end of shelves to make it a more creative space. Sure, this problem can get equally debatable as having an over-decorated, distraction-heavy area is not the most ideal space, but you should not neglect adding just a little fun simply because it may detract from your work.

The Answer

You want to work somewhere you enjoy spending some time, therefore add your personality to your home office aesthetic. The principles you would employ for a good home layout work just as well here. Think of what you like and the way it is possible to add it to your area. Do you travel? Frame some maps of your favourite places and put them on the wall. Do you enjoy music? Frame some album covers and toss them up over your desk. You don’t even have to buy much. You may frequently find high-resolution pictures of items that you enjoy via a Google Image Search and receive cheap poster-sized prints at online print stores. The essence of your office is in how you craft it.

You do not need to resort to just prints either. It’s possible to put real objects on the wall if you’ve got some you really like. Either get cheap shelves and add them that way or mount them straight on for a nice floating appearance. If you pick a theme and stick to it, you don’t have to worry too much about colour and design. If you keep your decisions similar enough, you’ll create a nice aesthetic without putting in much effort.

Eventually, you will need to take into account the look of furniture. You do not need to spend a lot to achieve a look. For instance, the famed Eames Eiffel chairs have inexpensive knock offs. You’ll discover that with most notable, classic furniture, so don’t dismiss it since the original costs a lot. You also need to find furniture in areas you may not anticipate it. Office stores may surprise you with a special selection, and makers which don’t concentrate on chairs and desks occasionally make them. Keep your eyes and ears open to possibilities where you would not ordinarily expect them. You will find some of the greatest stuff like that.

Manage Cables like a Guru

The Problem

Nobody enjoys cable management. It takes a lot of time and frustrates a great deal of people. Why bother with handling your cables? Apart from the aesthetic advantages, well-managed cables make it easier for you to make modifications to your own office down the line. You’ll pay a little premium in time (and possibly the price of a few goods), but you will save yourself a lot more down the track when you need to create a change or encounter a home emergency such as burst pipe. A bothersome alteration in a workspace can hinder your productivity when it takes too long and wears you out, so don’t skip the cable management when you set things up.

The Answer

To handle your wires nicely keep these things in mind:

  • Identify Everything: You want to recognize cables quickly so that you can connect them, disconnect them and move them without a lot of trouble. You only require a tag of some type. This can be the shape of a bread tag, ribbon, an actual tag or anything that clearly defines one cable from another.
  • Prevent Tangles: You wish to route your cables so that they have a great, clear path from their starting point to their ending point. If you do not, cords will get mixed up and you’ll have a tangled mess in your hands. This will undermine your effort to recognize each cable and waste a bunch of your time. Make sure to track your wires on their own, unique route or carefully combine related cables together if that makes sense on your workspace.

Those principles will allow you to stay organised, but it will help to have some form of hardware set up to hide the wires from view and keep them well wrangled.

The Joy of Casual Sewing

Currently, I make clothing so frequently I hardly purchase any. I’m a former style enthusiast and I believe making your own clothes is so much fun even though occasionally you’ll stab yourself with hooks.

If I had been a film star on a runway being requested that ridiculous “who are you wearing?” Question, I really could very honestly state: “Well. I’m wearing me, really.” Knowing my luck, the camera will then zoom onto a stray thread or a wonky hemline, but I might still seem just a little bit happy with myself for a minimum of five seconds.

Believe it or not, it wasn’t so long ago I could hardly sew a button, let alone a buttonhole; I wasn’t one of those girls who did textiles and had a year 11 tutor who could teach me, at the time my priorities lay elsewhere. Today, I make the majority of the clothing in my wardrobe. The very first thing people say to me once I tell them I make my own clothing is generally something along the lines of: “Oh I WISH I could do this!” Nonetheless, it’s actually not as tough as you might believe.

Before sewing, I had been hooked to quick trends. My wardrobe overflowed with ill-fitting and cheap brands that looked about as good on me as my boyfriend’s basketball shirts. If I could get it for under a tenner, then I was happy. Now, I hardly buy anything.

It all started one summer, I believed it’d be interesting to get out the old sewing machine in the family attic. Without a user guide to hand, I very nearly broke it in the first hour I spent trying to thread the needle. It took approximately five YouTube videos, some help from my mother and a great deal of swearing until I finally got there.

Afterward, I not just sewed the waistband of my first-ever skirt on back to the front, I also stitched in the zipper the wrong way around. However, after a great deal of seam ripping, I had my very own, somewhat wonky, tulip skirt. All made by yours truly.

In the past few years since, I have stabbed myself using a seam ripper, pushed my housemates to insanity by leaving needles everywhere (sorry guys) and left a trail of lost thread where I go. I walk into stores and do not buy anything since I presume: “Eh. I could make this.”

Welcome to the lifetime endeavors of this casual sewist. You would think we are a rare Breed, but that isn’t so. The entire reason I got to stitching was since I had been so motivated by the vibrant neighborhood of innovative sewing bloggers on the market, whose woven wardrobes are like nothing you will ever find on the high road. In the classic couture of Gretchen Hirsch into the anyone-can-do-this vibe of Tilly Walnes, there’s absolutely no lack of inspiration out there for the budding sewer.

Should you sew enough, it turns into a lifestyle in itself. I’ve hardly Purchased new clothes for about three years now, relying rather on what I could make and what I could use in charity shops. Sewing makes second-hand shopping so much easier. Really like the print but despise the form of the garment? Take it apart and make it into something brand new. Once you can sew, there’s no end to the innovative ways you can upcycle clothes; from basketball hoodies and other sports apparel to hideous dresses and fascinators, anything can be changed into a beautiful garment through the power of sewing.


And last month, countless stitching bloggers, myself included, have been taking part in a month-long struggle to wear only the clothes they have made, created by the great sewing blogger Zoe Edwards. If you have ever believed you did not have time for stitching, do check out their instagrams. We are a diverse bunch with active lifestyles — Zoe for instance, makes clothing not only for herself, but also for her little girl.

There is always quite a great deal of pride when it comes to something you have created from scratch. I would not be caught dead in a number of the things which I made while I was a student and english tutor but in the moment, despite the fact that they were fraying and bunching and seemed somewhat like potato sacks, there was absolutely nothing greater than wearing something I had made myself.

Additionally, it makes you realise exactly how much work goes in the clothing you wear. Think placing in a zip line is tough? Just remember: there are an infinite number of garment employees doing just that to get barely a dollar a day.

Like anything, the more you sew, the better you get. I have gone from a wonky tulip skirt to my very first pair of pants. Back at home, I’ve got a jar filled with stuff I claim I cannot sew written on pieces of paper. In the future, I hope it is going to be empty.

Right now, I am unashamedly a maid of honor dress for my buddy’s wedding in June. Each time I post an update on Facebook or even Instagram, the grooms get fairly excited, I cannot wait to see how they respond once it is finished.

Obviously, I needed to go the extra mile for my very Best friend’s big day and, if you ask me, I much prefer this procedure compared to some mind-numbing day of searching the high road for the best dress to decide on their color scheme. It is likely to become a strapless piece in burgundy, created from polka-dot flocked tulle over crepe-back satin. Do not worry if this sounds like complete nonsense — you become accustomed to the sewing talk after a time!

Hopefully one day, I will no longer need to buy clothes at all…. But for now, I’m a casual seamstress!

Tips on Crafting Your Own Wine

While homebrewing Is becoming popular among beer fans as well as some spirit aficionados, winemaking nevertheless brings to mind large scale manufacturing, colossal wine vineyards in Yarra Valley, Bordeaux, Hunter Valley and similar regions, and a massive amount of equipment not available to the typical private backyard brewer.

Actually, small winemaking has increased considerably over the last couple of decades. A convention that once required a sizable investment, is currently accessible to craft fans who wish to create wine on a tiny scale, focusing on restricted releases, special versions, and “experimental” mixes.

Homemade winemaking has come a long way in it’s current state compared to the ancient Romanesque Impacts of grape stomping. Stomping grapes is your collaborative and highy enjoyable procedure for crushing grapes by foot inside big vats to release their juices and initiate the fermentation procedure.

Since the ancient manual methods of artisanal craft of homemade winemaking, comprehension of the winemaking process was cultivated, refined and common amongst households and fellow winemakers. Throughout the1970’s, Lou Baggio, creator of Home Make It, was in the forefront of redefining the tough process of winemaking by manufacturing and developing winemaking equipment like grape presses and crushers to help migrant Italians in Australia to have the ability to continue to conserve these traditional practices.

Through the Years, Home Make It has sought to further simplify the Winemaking process by adopting more contemporary practices whilst still enjoying the conventional craft and further boost the winemaking expertise by removing some of the guesswork and minimizing the ever-present odds of spoilage. The huge exhibition of winemaking equipment combined with the debut of winemaking kits with all of the crucial ingredients contained have led to a lot of homemade wine achievement stories; with some even being successfully sold in small batches to specialty grocery stores in Melbourne, Australia.

Complimenting the user-friendly winemaking kits and gear, a supply of complimentary wine testing and evaluation is also offered by supplying the community with specialist guidance throughout the winemaking procedure. By analyzing grape juice early in the fermentation period, issues could be identified and remedied by using the required adjustments necessary to generate much better-quality results.

Winemaking is yet another one of these classic Italian traditions That interweaves to the fabric of the culture. It’s considered an essential component of the meal, complimenting Italian cuisine in a way that is lost on other cuisines.

Here is 1 thing to Remember about little wineries if you are considering producing your own wine however; they do not Necessarily require any less gear than large ones; with practice, patience and passion anyone can produce their own wine which is just as good as a yarra valley wine or any other infamous region

They simply need smaller dimensions and maybe only one of each product. As an instance, a winery producing in a small scale may just require a few barrels to get post-fermentation storage as a massive winery would require hundreds, or even thousands of these, to keep up with demand.

Furthermore, several small-scale wineries do not possess their vineyard, cutting back on the enormous costs of buying land and generating suitable grapes. In actuality, the cleverest model for small winemaking is a combo of purchasing basic components, outsourcing portions of their production (for instance, jar layout or perhaps bottling) and essentially focusing a lot of their effort from the mixing, recipes and fermentation of the wines.

The outcome? Small-scale wineries may take risks to pursue innovations. As an instance, some small wineries are aging their wines in oak barrels generally earmarked for whiskey and other spirits. Others are experimenting with using berries or incorporating traces of chocolate or other aromatic undertones for their wines bought straight from a fresh food store or even directly from growers local to their area.

Small-scale winemaking signifies wineries can manage to try new things, making small batches to learn more about the marketplace.

The craft beer movement is now a well-established, strong company by itself, but small craft wine still has plenty to go before it reaches a comparable degree. The reason? According to a post on The Palate Press, an internet wine magazine, wine includes limits that beer does not. By way of instance, beer can be produced at any given time of the year, whereas wine depends on blossoms maturing. Additionally, beer brewers can supply ingredients from all over the world and therefore are much less restricted by taste, often experimenting with everything from chocolate to pumpkin into chili pepper as developments.

For wine to become exceptional — a really boutique handmade wine — Winemakers will need to think beyond the box. This means collaborating with different wineries, making one-off mixes which may be promoted as small variations. Or mixing grapes and then incorporating fruity undertones throughout the fermentation procedure.

Ultimately, the trick to success for small wineries and home brewers is their willingness to attempt new items. The craft beer movement burst when brewers dared to take risks. As little wineries and backyard experimenters push their boundaries and try new things, they will definitely find their way also.

For people who may be eager to have a go at creating their own red, white, sparkling or fruit wine this season what is stopping g you? Whether you want to eventually become a small wine producer or purely do it for the love of wine, crafting your own wine if fun and rewarding! There’s something special about making your own wine and who knows, maybe you’ll create the next innovation in home brew wine!

Reviving the Craft of Bespoke Shoemaking

It’s not frequently today that you will find people walking around in bespoke, handmade shoes. Consumerism has led to an overwhelming selection of shoes which are easily available at our closest shopping center or simply at a click-of-a-button through our favourite online shop. Like many crafts in Australia, large-scale production has caused a decrease in the demand for bespoke women’s shoes. While factory-made shoes are accessible and convenient, they are frequently made abroad, and, like most mass-produced goods, come with ecological effects; furthermore, mass-produced women’s shoes lack what handmade shoes may provide: character, tailored dimensions, bespoke designs and understanding precisely who made your shoes and what they’re made from. Though finding a local shoemaker might appear difficult today in comparison with the ease of buying a mass-produced shoe, Australian shoemakers are reviving the traditional craft of shoemaking through local companies that thrive on providing the benefits of handmade.

Bangalow-based shoemaker Rachel Ayland is just one Australian shoemaker that has successfully established an artisanal shoemaking business. Honing her craft over the past 32 years, Rachel’s practice is driven by a dedication to making bespoke footwear tailored to the patient. With a strong focus on design making, Rachel’s practice is driven by a dedication to making beautiful footwear tailored to each client’s individual requirements. But while Rachel can generate a viable income from her craft it has not been without challenges.

We recently caught up with Rachel to relive her journey as a shoemaker and the challenges she has faced along the way.

Traditionally, shoemaking apprentices were trained by masters in workshops. Does this route still exist?

My craft was traditionally learned from apprenticeships from a “Master”, within the surroundings of a commercially run workshop, such as my own. It’s rare to discover a Master Shoemaker to learn from now. They are absolutely dying as a craft or are retired and are seldom replaced in most western nations. Modern shoemakers, like myself, might opt to accept an apprentice. However, we’ve had business coaches search for government or other financial support for the endeavour, but this does not exist, which makes it hard for shoemakers to warrant the expense while attempting to keep our companies afloat.

How did you learn the theory and techniques behind your craft?

I learned the techniques and concept of my craft from a tiny workers cooperative in the early 1980’s, in the United Kingdom, which consisted of five traditional shoemakers who coached at one of their previous college courses in London at the moment. This group took me on and educated me in the craft for five decades, sharing everything they knew. Later in my career I met Master Shoemaker and instructor, George Koleff from Bulgaria, and I became his pupil for a couple of years. In this moment, he helped me build my techniques and get equipment and tools. A few of the tools I still use today were produced by George!

What has been some of the primary challenges in acquiring your understanding and abilities in shoemaking?

Some of the key challenges I faced while learning how to become a shoemaker include attempting to survive financially while working my craft as I needed to buy many expensive materials. I also found it tough to find a suitable workshop space. The aggressive costs of manufactured goods, usually purchased by large companies selling shoes online, played a significant part in these challenges.

Have you established your shoemaking company as a viable living? If so how long did this take? How hard do you think it is for other people to achieve this now?

I have been making a living from my company for the past 15 years; however, I’m not raising a family and have reasonably cheap overheads. It took fifteen years to become self sufficient, during which time I got a tiny government small business support and enlisted myself in a small business coach training course. I’d say it would be quite challenging to accomplish this sufficiency now, which explains the reason why there are so few making a living in Australia today.

Have you had any mentors? Or have the skills of your trade dissipated and had to be learned again?

Yes, other shoemakers whom I’ve met along the way have been of excellent support. Other shoemakers and all of the famous ones, have been inspirational to me. Some shoemakers have written books, which are an invaluable asset to shoemakers worldwide.

What do you believe that an apprenticeship for shoemaking might seem like that provides manufacturers the skills they will need to establish themselves now?

I think more government subsidies for establishing small business and wage subsidy for traineeships would make a substantial difference. Furthermore, there has to be a valid modern apprenticeship for shoemaking that is modelled around hands on learning under the guidance of a professional teacher master. I believe training in up-to-date business skills and specific computer skills (i.e. pattern making and images etc.) should also be a fundamental part of future apprenticeship models for shoemakers.

Obviously, shoes are mass produced on a massive scale. What has this meant for the design and quality of the goods?

Shoes are produced on a massive scale for mass consumption, even more so for online shoes stores. And while mass-produced shoes can be a fantastic product they also come with flaws; they can be tough to repair because of short sighted manufacturing procedures and they might not match the customer well. These are value added to the possible customer encounter by a revival in artisans in today’s world.

How has today’s market, with abundant mass production, influenced what you create and how you make it?

The pressures of modern manufacturing have led to tight competition in the industry that the few bespoke shoemakers that did survive from the trade were frequently left offering orthopaedic shoe making services that are tough to replace by machine! Higher material costs and workshop running costs also have influenced the bespoke shoemaking business; as a consequence, our numbers got smaller, particularly over past 50 years.

Is there a revival of the traditional way of production in shoemaking now, and if so why do you think that is? Are manufacturers creating new value in conventional production procedures or is the customer now simply perceiving value in it?

For ethical reasons there’s an increasing demand for handmade goods with a low effect on the environment.

A young generation of shoemakers with style awareness and ethical stance are offering a unique and intriguing assortment of products for market customers; the item is contemporary, made to measure, and less conservative than previous techniques and styles. Likewise, customers are actively looking for shoes which are made from environmentally sound glues and materials providing gentler foot care than cheaply manufactured, synthetic products.

As a modern craftsperson, how are you making this craft relevant and shaping it for the long run?

I am continually changing my layouts to keep up with fashion trends. I’ve increased publicity for renovation and repair service, as customers are increasingly aware of the need to buy less and appreciate good design. I also offer courses, giving individuals a creative encounter in my workshop; this is an increasing trend that’s reasonably rewarding for creatives.

Additionally, so as to respond to an increasing demand for vegan, cruelty free fashion, I’ve recently experimented with completely vegan shoes with hemp canvas upper. The public reaction to this is extremely positive and I am busy exploring this further, the main market for this is in women’s boots.

IKEA Breathes Digital Life into Dying Crafts

Creating everything from magnificent spherical houses into 3D-printed meatballs, Ikea’s Space10 laboratory is used to shaping our future in creative and innovative ways. Recently however, the Copenhagen-based team turned to technology to help recover the past: It has gone digital to breathe life into dying arts.

Over time, technology and machines have allowed for efficacy and scale [but] it has also weakened the link between design and material, and the use of classical craftsmanship in our society, according to Space10. They said that imagine if, as electronic fabrication through software testing in the age of digital transformation emerges and spreads, newfound precision and techniques can be used to replicate and even improve the art of art?

Old and new

The future-living lab invited three architects – Yuan Chieh Yang, Benas Burdulis, and Emil Froege – to reimagine traditional craft methods. And, from Japanese joinery to metal forcing, they have pushed the boundaries of the electronic ‘CNC milling’ procedure, looking at qualities of yesteryear, and investigating how digital tools can bring them in the future.

Yang, for example, worked out how to use this process to reimagine the 1,000 year old Japanese ‘wood column’ – where pieces of wood are cut to slot into each other at perfect right angles. Where previously using a chisel limited craftsmen to straight lines, he discovered that CNC grinding enabled him to make a subtle curve which would better lock and pieces of wood without needing screws or hand tools.

Benas Burdulis used the CNC mill to make ‘daylight panels’ that could grab the light and enhance the natural lighting of a room. Benas Burdulis’ ‘daylight panels’ line walls to emphasise sun. The machine’s precision enabled him to create a blueprint which would most emphasise the shadow and light pouring into the space.

Finally Emil Froege made a copper reflector: he first used the mill to carve a spiral-shaped mountain from foam, and then followed this instrument route to shape a round aluminum disk. Individuals have shaped aluminum by hand for centuries, and so Froege even integrated a conventional shaping bowl into his final layout. Froege claims that traditional builders are dying so traditional crafts are dying since there is no time and money to create these decorative details.

They expect that CNC can reintroduce that part of craft. With such inspiring electronic reimagining and a software testing course afoot, traditional craftsmanship won’t ever grow old. The Prince of Wales has lamented the decline in traditional craft skills in Britain and called for more to be done to ensure their survival for future generations. He spoke out as a milestone report warned that dozens of crafts – like piano, fan, broom and parchment making – are dying out.

Others, such as cricket ball creating, saw and spade making, gold beating and Sieve making, have already vanished in the face of cheap imports or decreasing demand. The threat to Britain’s craft skills was highlighted in a report warning that many could disappear altogether, unless more is done to emphasize their significance to the nation’s heritage despite the strong emergence of IT cloud computing and other business IT solutions that seem to be affection traditional art and industries. Now Prince Charles has called for a larger “appreciation” of conventional craftsmanship and for more attempts to preserve their continuing existence.

In a statement, he emphasized the importance of traditional crafts – that they are as much a part of their shared heritage as their beautiful historical landscapes, beautiful buildings, rare breeds of indigenous farm animals and diverse museum collections. He said, “I urgently believe that we must gather more information on the crafts identified so far to ensure that no more treasured skills are lost forever.”

In a foreword to the Heritage Craft Association’s first Red List of Endangered Crafts report, the Prince added that he hopes that the Red List will promote more interest and further study into this precious aspect of their heritage, expanding their shared appreciation of traditional craftsmanship and, of course, putting these crafts on a sustainable footing so that they can continue to attract real cultural and economic benefits to our communities for generations to come.

The report says that the conventional manufacture of cricket balls, sieves or riddles, and lacrosse sticks, together with gold beating, has already died out and been replaced by a IT services company offering AR, VR and other managed services to optimize products and manufacturing. According to the HCA much of the blame lies with the increase of mass manufacturing, together with imports from countries where labour and materials are considerably less expensive than in Britain.

Chinese imports of cheap gold foliage all but killed off the British gold beating business, and the last present producer, Birmingham’s W. Habberley Meadows, stopped production after being unable to find anyone willing to accept the lengthy and painstaking process of learning the craft. Likewise hand stitched cork and leather cricket ball are now imported from south Asian and finished off in the United Kingdom.

London-based Dukes Cricket Balls stopped making them in this country after modifications to migration principles made it more difficult to recruit foreign workers and no British kids showed an interest in taking up an apprenticeship. There’s a threat traditional cricket bat making will go the same way, warns the HCA, with craftsmen working with English willow wood undercut by mass producers, both at home and overseas.

Standard piano manufacturing has suffered a collapse, with only one commercial craft maker in presence compared to 360 at the beginning of the 20th Century. Cavendish Pianos, in North Yorkshire, aims to create 50 pianos per year in the face of cheap imports from China and Indonesia. Ian Keys, Chair of the HCA, stated  that craft skills today are in precisely the identical position that historical buildings were a hundred years ago – but that we now recognise the value of older buildings as part of our heritage, and it is time for us to combine the rest of the world and recognise that these living cultural traditions are equally as important and need safeguarding too.